Rosa Zangenberg exists somewhere between the creative and the academic, because she is interested in keeping that unsettling and undeniable feeling—the rudimentariness—at the forefront of their artistic research practice. Sometimes she turns to the visual, to painting, and calls herself an artist, albeit with the wobbly wavering that goes with it, and the material result is wobbly all the same; stuplime, wordless vents in the form of paintings that demand inconvenience in their context.
contact: rosa.zangenberg[at]gmail.com
CV
Textual chaos
Visual archive
Skincycling (2019) consists of a group of paintings that deals with the concept of portraiture in painting. The portraits, do not represent specific individuals, however, but rather aims to represent a certain mood or atmosphere which can reflect back to any recipient and, therefore, act as relational portrait.
Untitled, 2019, oil and turpentine waste on cardboard and paper, 30x42 cm.
Untitled, 2019, oil on canvas, 25x24 cm.
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